Composer, intermedia artist, collaborator, and artistic instigator, Christopher Preissing creates music and sound for live performance, fixed media, and interactive installation. He has been Artist-in-Residence and Fellow at Beloit College, Indiana University, Ragdale Foundation, Virginia Center for the Creative Arts, Djerrassi, and Atlantic Center for the Arts, and has received awards from Jerome Foundation, Meet the Composer, Illinois Arts Council, City of Chicago, and American Composers Forum. He received a Pritzker Foundation Endowed Fellowship and a Columbus School for Girls Endowed Fellowship in support of residencies at Djerassi and the VCCA. Previous director of the Chicago Composers Forum, and producer of two large-scale productions of John Cage’s Musicircus, he is the founder of the Chicago multi-arts collective NON:op, Open Opera Works. Recent projects include f(H2T) from Here to There, an immersive, interdisciplinary opera (2014, Chicago); I Was Born for This, collaborative installation with 14 channels of sound (2014, Notre Dame); and The Floating City, a score for Kristina Isabelle’s multimedia dance (2013, Chicago). In addition to Thunder, Perfect Mind, an immersive sound-movement opera for soprano, percussion, chorus and dance company, he is working on a setting of Dante’s Divine Comedy with Carmen-Helena Tèllez and with Amey Miller on a sound-book collaboration, In Search of Margaretta Black.