Artist Commissioning Program
NON:op’s artist commissioning program provides opportunities for artists, particularly artists of color and artists with disabilities, two groups of artists who have been historically marginalized, and hardest hit by the pandemic. In 2021 we are commissioning the following five artists and teams to create work for Viral Silence and L’s GA : Lincoln’s Gettysburg Address.
Viral Silence Commissioned Artists and Communities
Allen Moore with the Auburn Gresham 21st Ward, Block Club 21 Community Garden
Allen Moore is a Black American Interdisciplinary Painter, Experimental Sound Artist, Educator, Youth Mentor and Curator born and raised in the Historic Village of Robbins IL. His work examines both visual and experimental music, emphasizing the importance of nurturing the Black Imagination with social representation and converses with the signifiers of African American and popular culture, bringing to view the underlying themes of racial, emotional and socioeconomic conditions. Moore has exhibited and performed across Chicago and the greater Midwest, including exhibitions Experimental Sound Studio, Elastic Arts, Threewalls, The Museum of Contemporary Art, The School of the Art Institute of Chicago, The Museum of Science and Industry Chicago. His work is featured in the Netflix Original Series “Easy” Seasons 1 and 2.
Jay Needham is an artist, musician, writer-editor and cultural producer who utilizes multiple creative platforms to produce his works, many of which have a focus on sound and site specific field research. As a hearing-divergent person, Needham makes work that often involves sensing and experiencing sound across many modalities. His sound art, works for radio, visual art, performances and installations have appeared at museums, festivals and on the airwaves, worldwide. Needham is the founding co-editor of Resonance: The Journal of Sound and Culture, published by The University of California Press. He is a Professor in the Department of Radio, Television and Digital Media at Southern Illinois University and he received his MFA from The School of Art at California Institute of the Arts.
VVAM! Vision and Voice Amplified through Media (Keith Moore & Bourema “Ibrahim” Ouedraogo)
with Ashanti Files and The Writers of Oya and the Urbana-Champaign Independent Media Center
Keith Moore is a composer and sound artist, writer, curator, and community-media maker currently based in Urbana, Illinois. Keith uses the fields of acoustics and psychoacoustics to compose expressive and conceptually rich works that compel listeners to consider the beauty and breadth of perception itself. He has collaborated with numerous distinguished organizations such as musikFabrik WDR (Cologne), Ensemble de l’itinéraire (Paris), Ensemble Modern and the International Ensemble Modern Academy (Frankfurt), PRISM Quartet (NYC), Talujon Percussion (NYC), Ensemble 21 (NYC), and soloists including Tomas Bächli (Berlin), Karen Bentley Pollick (CO), Kevin Boyer (London), Maja Cerar (NYC), Juliana Snapper (LA), Taimur Sullivan (Chicago) and Kelland Thomas (Hoboken). In addition to creating original compositions Keith Moore pursues his research through writing, performance, curating and teaching.
Bourema “Ibrahim” Ouedraogo is a founder of VVAM! (Vision and Voice Amplified through Media), on the production team of Urbana Public Television, and the owner of Global Visual Media Studio. He is married with two children and has lived in the US for the past ten years. He began engaged-community building in his home country of Burkina Faso, where he worked in community, arts, and cultural preservation; and he has continued that effort in Illinois as a board member and now active volunteer at the Urbana-Champaign Independent Media Center.
L’s GA : Lincoln’s Gettysburg Address Commissioned Responses
Kameron Locke (he/him) is a classical singer and research-based artist who expresses what he defines as the “facets of Blackness” through music, performance, and study.
Locke navigates cultural, community, and academic spaces as a social justice-centered creative, artistic leader, producer, educator, and musicologist. From within these spaces, he reflects on representation and inclusion, and how to engage and solve challenges that bring equality to continuously evolving communities.
Born and raised in Chicago, he recently emigrated to Berlin after a fulfilling stint in London.
Born and raised in “DC proper,” A.J. McClenon studied art and creative writing at the University of Maryland and The New School prior to receiving a Master of Fine Arts from the School of the Art Institute of Chicago in 2014. Alongside artistic experiences, A.J. is passionate about teaching and community collaborations with that goal that all the memories and histories that are said to have “too many Black people,” are told and retold again. As a means to uphold these stories A.J. creates performances, installations, objects, sounds, visuals, and writings. These creations often revolve around an interest in water and aquatic life, escapism, Blackness, science, grief, US history, and the global future. A.J. is deeply invested in leveling the hierarchies of truth and using personal narrative to speak on political and cultural amnesia and their absurdities.